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Story by Jack Baruth
Hey there, Mr. Average Car Enthusiast! Do you like watching Top Gear? Of course you do. I mean, what’s not to like? They have cool, super-sarcastic reviews of new cars, some on-track hooligan behavior, and wacky “comparisons” between Bugattis and scooters. Everybody loves TG. Well, I have some good news for you. There’s a magazine out there, and it’s, like a hundred times cooler than Jeremy Clarkson, Captain Slow, and The Guy Who Crashed the Jet Car could ever be. Their reviews are better, because most of the reviewers have a background in automotive engineering, wheel-to-wheel competition, or both. The writing’s funny yet informative. Instead of screwing around on an empty track somewhere, doing trivially easy stunts and “racing” against their own times, these guys build real racecars for real race sanctions, not to mention a series of outrageous engine-swapped project cars. They test tires under controlled conditions and report the results honestly. They’ve developed completely new methodologies for performance testing, making their results the most consistent and reliable in the history of automotive journalism. There’s even a considerable amount of authentic, documented civil-disobedience-mixed-with-raw-stupidity in each issue. Best of all – and this is what separates them from Grassroots Motorsports, the reading of which affects any genuinely literate man in much the same manner that the sound of nails scratching a chalkboard does an elementary-school teacher – they’ve recruited nearly every great writer in the industry to contribute monthly columns ranging from the aggressively erudite to the simply heartbreaking. Trust me, this is all good stuff.
The best part of all? It’s totally free. Are you ready to start reading? Sure you are. Here’ s how to get started: Go to your local library and ask for the microfiche department. Once you find said department, file a request for “Car and Driver, any year from 1970 to 1990.” Load the film into the microfiche machine… and if you’ve never read anything from the Golden Age Of Car And Driver, prepare to be amazed. Those of us who are over thirty-five know that Ozzy Osbourne wasn’t always a shambling, disconnected shell of a man picking up dog crap and mumbling incoherently through a series of humiliating interludes; the guy used to be the effing Prince Of Darkness, screaming his lyrics with violent passion, biting the heads off bats, rendering parent-teacher associations speechless with terror. By that same token, it’s hard for my younger readers to understand that C/D wasn’t always a complete joke of a publication, that it wasn’t always a mishmash of tossed-off sarcasm and WeatherTech advertisements, thinly disguised press releases and threadbare prose, incomprehensible comparo-test results and Ten Best lists sorted in order of perceived dashboard quality. It’s been years since I met a young person who took the magazine or its content seriously. Today, the kids are all watching Top Gear or reading EVO, slavishly imitating Clarkson’s sarcastic style or quoting Dickie Meaden’s fast-road observations verbatim, not understanding that the English stuff is mostly entertainment, not journalism.
Enough is enough. The announcement that Csaba Csere is walking away from the Editor-in-Chief position has brought C/D temporarily back into the Internet’s itinerant spotlight, and before the magazine disappears for good from the enthusiasts’ collective consciousness, I feel compelled to explain why it was once great, how it lost that greatness, and why its days are all but over.
Continue reading Avoidable Contact #22: The rise and sad fall of Car and Driver.






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